Impacts Of Mirza Dagh’s Nautiya Style On Iqbal’s Poetry

مرزا داغ کے نعتیہ اسلوب کے اقبال پر اثرات

Authors

  • Dr. Syeda Tayyaba Rubab Assistant Professor, Dept. of Urdu, Govt. Graduate College for Women, karkhana Bazar Faislabad
  • Hafiz Muhammad Abdullah Doctoral Candidate, Department of Islamic Studies, Lahore Garrison University/ SST, WAPDA Inter College Mangla Dam Mirpur AJK
  • Dr Anwar Ullah lecturer, Akram Khan Durrani College , Bannu

DOI:

https://doi.org/10.67101/alamir.v4i02.73

Keywords:

Allama Iqbal, Mirza Dagh, Na‘at, poetry Praise of Prophet Muhammad ﷺ

Abstract

The linguist poet of the ambassador of Dehli literary society, Nwab Mirza Khan Dagh does not need any preamble. Iqbal accepted some artistic impacts of Mirza Dagh.He is a romantic poet but he was also effected by revolution of 1857.He narrated the cultural defeat in his poetry. We also can find the cultural defeat in Iqbal’s poetry as well. Iqbal paid tribute to Mirza Dagh at his death with deep grief and in an impressive way.

As an artist, the use of developed language precision continuity and idiomatic phrases is Dagh’s distinctive style, the same style of Mirza Dagh is also available in his Nautiya poetry. Although it is not recognition of Dagh but his style is striking researchable. We can also come across the technical effects of his Nautiya style in Iqbal’s poetry. Iqbal has also saluted to his artistic climax. In this article the effort has been accomplished to explain Mirza Dagh’s impacts on Iqbal

Views & Downloads Stats:

Stats are being updated.

References

Farmān Fatehpūrī, Urdu kī Naʿtiyah Shāʿirī (Lahore: Al-Waqār Publications, n.d.), 25.

Riyāz Majīd, Urdu Main Naʿt Gōʾī (Lahore: Iqbāl Academy, 1990), 18.

Sabīḥ Raḥmānī, “Majīd Amjad: Ṣinf-e-Naʿt,” in Urdu Naʿt kī Sheʿrī Riwāyat (Karachi: Academy Bāzyāft, 2016), 301.

Fatehpūrī, Urdu kī Naʿtiyah Shāʿirī, 10.

Raḥmānī, “Majīd Amjad: Ṣinf-e-Naʿt,” 302.

Ḥakīm Sayyid ʿAbd al-Ḥayy, Gul-e-Raʿnā (Azamgarh: Maṭbaʿ Maʿārif, 1921), 417.

Makhmūr Saʿīdī, Dāgh Dehlvī (Delhi: Sahitya Academy, 2004), 10.

Dāgh Dehlvī, Gulzār-e-Dāgh (Lucknow: Maṭbaʿ Anwār-e-Muḥammadī, n.d.), 303.

Sayyid ʿAbdullāh, Walī se Iqbāl Tak (Lahore: Maktabah Khiyābān-e-Adab, 1966), 292.

Sayyid ʿAbdullāh, Walī se Iqbāl Tak, 292.

Dāgh Dehlvī, Gulzār-e-Dāgh, 305.

Khwāja Muḥammad Zakariyyā, Kulliyāt-e-Dāgh (Lahore: Alhamd Publications, 2011), 794.

Zakariyyā, Kulliyāt-e-Dāgh, 794.

Muḥammad Iqbāl, Kulliyāt-e-Iqbāl (Lahore: Iqbāl Academy, 1990), 83.

Iqbāl, Kulliyāt-e-Iqbāl, 84.

Iqbāl, Kulliyāt-e-Iqbāl, 101.

Jagan Nāth Āzād, “Iqbāl Par Dāgh ke Asrāt,” in Iqbal Quarterly (Lahore: Iqbāl Academy, 1990), 133.

Kāmil Qureshī, Dāgh Dehlvī: Ḥayāt aur Karnāmay (Delhi: Urdu Academy, 1997), 10.

Zaheer Aḥmad Ṣiddīqī, “Dāgh kā Naẓariyah-e-Fan,” in Dāgh Dehlvī: Ḥayāt aur Karnāmay (Delhi: Urdu Academy, 1997), 78.

Dr. Ṣalāḥ al-Dīn, “Dāgh kā Dābistān-e-Shāʿirī,” in Dāgh Dehlvī: Ḥayāt aur Karnāmay (Delhi: Urdu Academy, 1997), 332.

Saʿīdī, Dāgh Dehlvī, 10.

Muqaddama Kamāl-e-Dāgh (Rekhta)

Muqaddama Kamāl-e-Dāgh (Rekhta)

Saʿīdī, Dāgh Dehlvī, 8.

Saʿīdī, Dāgh Dehlvī, 8.

Zakariyyā, Kulliyāt-e-Dāgh, 36.

Zakariyyā, Kulliyāt-e-Dāgh, 144.

Zakariyyā, Kulliyāt-e-Dāgh, 144.

Zakariyyā, Kulliyāt-e-Dāgh, 654.

Zakariyyā, Kulliyāt-e-Dāgh, 654.

Zakariyyā, Kulliyāt-e-Dāgh, 37.

Zakariyyā, Kulliyāt-e-Dāgh, 457.

Zakariyyā, Kulliyāt-e-Dāgh, 259.

Iqbāl, Kulliyāt-e-Iqbāl, 40.

Zakariyyā, Kulliyāt-e-Dāgh, 583.

Iqbāl, Kulliyāt-e-Iqbāl, 220.

Iqbāl, Kulliyāt-e-Iqbāl, 583.

Iqbāl, Kulliyāt-e-Iqbāl, 654.

Iqbāl, Kulliyāt-e-Iqbāl, 98.

Downloads

Published

2023-06-30

How to Cite

Rubab, D. S. T. ., Abdullah, H. M., & Ullah, D. A. (2023). Impacts Of Mirza Dagh’s Nautiya Style On Iqbal’s Poetry: مرزا داغ کے نعتیہ اسلوب کے اقبال پر اثرات. Al-Amīr Research Journal for Islamic Studies, 4(02), 67–77. https://doi.org/10.67101/alamir.v4i02.73